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Regular expressions
The Princeton Geniza Project database allows for search expressions containing certain 'regular expressions'. Regular expressions are codes that can be inserted in search queries to match patterns of text.
^string | Matches the text at the beginning of the string |
string$ | Matches the text at the end of the string |
. | Matches any single character (including special characters) |
a* | Matches the sequence of zero or more of the specified character |
a+ | Matches the sequence of one or more of the specified character |
a? | Matches zero or one occurrence of the specified character |
abc|def | Matches either one of the specified strings |
[abc] | Matches any one of the specified characters |
Boolean Search
The Princeton Geniza Project database uses a boolean full-text search. This type of search allows users to combine keywords with operators to refine searches. Possible operators and examples of their use:
מולאנא מולאי | Search for rows that contain either of two words by simply typing them consecutively. In this case, the search will find documents that contain either מולאי or מולאנא. |
כתאבי +מולאי+ | Use a + sign before word to search for rows that contain all of them (in this case the words כתאבי and מולאי) |
כתאבי AND מולאי כתאבי OR מולאי | The keyword AND indicates that both search terms must be present in the results. OR matches either search term. |
כתאב –כתאבה | Use a - sign to exclude a term from your results (in this case, the search will include כתאב but exclude כתאבה) |
*כתאב ?כתאב |
Use an asterisk or a question mark as a wildcard. An asterix matches any number of characters. A question mark matches any single character |
Join: Bodl. MS heb. c 13/25 + Bodl. MS heb. c 13/26 + T-S K10.4
Bodl. MS heb. c 13/25
Recto/verso:
Section:
Marriage contract (ketubba). Location: New Cairo. Groom: Natan b. David. Bride: Sitt al-Sāda bt. ʿOvadya. One of the oldest and largest illuminated medieval ketubbot from the Geniza. Containing six layers of calligraphic borders of varying widths, including piyyutim in micrography; one thin border of gold outlined in blue; one wide border of gold calligraphy on a blue background; two arches of intersecting circles of micrography interspersed with red, blue, and gold shapes, and the monumental calligraphy of the poetic superscription in gold and blue. As a whole, this ketubbah appears to have been executed to the highest standards of medieval Levantine Jewish book art. Some portions of other decorated and illuminated ketubbot from this period have been preserved, but because of their fragmentary state they have not yet received extensive scholarly attention (see, for example, T-S 16.104, T-S 16.73, and T-S 24.17). Join by Noam Sienna, and information from Sienna, N. (2018). Reunited At Last: T-S K10.4 and Bodl. MS. Heb. c. 13/25. [Genizah Research Unit, Fragment of the Month, July 2018]. https://doi.org/10.17863/CAM.34050. Note that Goitein treats Bodl. MS heb. c 13/25–26 and Bodl. MS heb. c 13/27–28 as if they are pieces of the same ketubba. This is possible but not certain, as the fragments are not continuous.
Type: Legal document